End Tickets

Play
Dorfman Theatre
National Theatre, South Bank, London, SE1 9PX
Running Time TBC
Running Since Thu, 13 November 2025
Booking Until Sat, 17 January 2026
Monday - 19:30
Tuesday 14:30 19:30
Wednesday 14:30 -
Thursday - 19:30
Friday - 19:30
Saturday 14:30 19:30
Sunday - -

More about End

Every love story has a final chapter

Alfie and Julie’s love story has been one of music, laughter, and heartache. On one early morning in June, they must write their ending.

Clive Owen (Closer) is Alfie and Saskia Reeves (Slow Horses) is Julie in this touching and funny play of a life well lived.

Following the critically acclaimed Beginning and Middle, End is the final play in David Eldridge’s trilogy exploring love and relationships. Lyric Hammersmith Theatre Artistic Director Rachel O’Riordan (Romeo and Julie) directs.

For assisted performances and people with access requirements, please book directly through the National Theatre.

Why book End Theatre Tickets with us?

We are the official ticket partner to End playing at Dorfman Theatre. We strive to offer End theatre tickets at best price. With our interactive seat plan you can easily choose your favourite seats and our flawless secure payment system ensures a hassle free checkout process for End theatre tickets booking.

Dorfman Theatre

National Theatre, South Bank, London, SE1 9PX
View Seating Plan

The Dorfman Theatre (formerly the Cottesloe Theatre) is the smallest and most flexible of the National Theatre auditoriums. It is a rectangular room, which can hold up to 450 people.

There are three levels in the Dorfman auditorium; the Pit, the Circle and the Gallery:

The Pit has a flexible seating system that can be raised and lowered in minutes, to either a steep or shallow rake format; or the seats can be folded away completely to become a flat floor.

Performances can be staged in a conventional format with the stage at one end; in “traverse”, where the seating is in two banks facing each other, lengthways or across the space; or in-the-round, with the stage surrounded on all sides by the seating.

The Circle and Gallery levels are on three sides of the room, looking down on the Pit and stage. These are fixed and are reminiscent of the inn-yards that were used as performance areas before Shakespeare’s era.