The Authenticator Tickets

Play
Dorfman Theatre
National Theatre, South Bank, London, SE1 9PX
Running Time TBC
Running Since Thu, 26 March 2026
Booking Until Sat, 9 May 2026
Monday - 19:30
Tuesday - 19:30
Wednesday - 19:30
Thursday - 19:30
Friday - 19:30
Saturday 14:30 19:30
Sunday - -

More about The Authenticator

Soon after inheriting her family's stately home, eccentric artist Fenella Harford discovers a stash of hidden diaries and enlists a young academic, Marva, to confirm their authenticity.

Joined by Marva’s brilliant but overlooked mentor, Abi, the three women come together to seek the truth, soon realising that secrets at the heart of Harford Hall were darker than they could have imagined.

A gripping gothic psychological thriller, The Authenticator reunites writer Winsome Pinnock (Leave Taking) with director Miranda Cromwell (Death of a Salesman) following their acclaimed production, Rockets and Blue Lights.

For assisted performances, please book directly through the National Theatre.

Why book The Authenticator Theatre Tickets with us?

We are the official ticket partner to The Authenticator playing at Dorfman Theatre. We strive to offer The Authenticator theatre tickets at best price. With our interactive seat plan you can easily choose your favourite seats and our flawless secure payment system ensures a hassle free checkout process for The Authenticator theatre tickets booking.

Dorfman Theatre

National Theatre, South Bank, London, SE1 9PX
View Seating Plan

The Dorfman Theatre (formerly the Cottesloe Theatre) is the smallest and most flexible of the National Theatre auditoriums. It is a rectangular room, which can hold up to 450 people.

There are three levels in the Dorfman auditorium; the Pit, the Circle and the Gallery:

The Pit has a flexible seating system that can be raised and lowered in minutes, to either a steep or shallow rake format; or the seats can be folded away completely to become a flat floor.

Performances can be staged in a conventional format with the stage at one end; in “traverse”, where the seating is in two banks facing each other, lengthways or across the space; or in-the-round, with the stage surrounded on all sides by the seating.

The Circle and Gallery levels are on three sides of the room, looking down on the Pit and stage. These are fixed and are reminiscent of the inn-yards that were used as performance areas before Shakespeare’s era.