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The Rise and Fall of Little Voice
Dorfman Theatre
National Theatre, South Bank, London, SE1 9PX
National Theatre, South Bank, London, SE1 9PX
Running Time
TBC
Running Since
Wed, 2 December 2026
Booking Until Sat, 23 January 2027
| Monday | - | 19:30 |
| Tuesday | - | 19:30 |
| Wednesday | 14:00 | 19:30 |
| Thursday | - | 19:30 |
| Friday | - | 19:30 |
| Saturday | 14:00 | 19:30 |
| Sunday | - | - |
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More about The Rise and Fall of Little Voice
Alone in the sanctuary of her small bedroom, Little Voice fills the air with pitch perfect renditions of her deceased dad’s prized record collection of the great divas, from Judy Garland to Billie Holiday.
But when her mother Mari’s latest fling, local wheeler dealer Ray, hears her sing he’s certain he’s struck gold. Will Little Voice be pushed into a spotlight she never asked for?
Francesca Mills (Silent Witness) plays Little Voice in this major new production of Jim Cartwright’s modern classic, directed by National Theatre Deputy Artistic Director Robert Hastie (Standing at the Sky’s Edge).
For assisted performances, please book directly through the National Theatre.
Dorfman Theatre
National Theatre, South Bank, London, SE1 9PX
The Dorfman Theatre (formerly the Cottesloe Theatre) is the smallest and most flexible of the National Theatre auditoriums. It is a rectangular room, which can hold up to 450 people.
There are three levels in the Dorfman auditorium; the Pit, the Circle and the Gallery:
The Pit has a flexible seating system that can be raised and lowered in minutes, to either a steep or shallow rake format; or the seats can be folded away completely to become a flat floor.
Performances can be staged in a conventional format with the stage at one end; in “traverse”, where the seating is in two banks facing each other, lengthways or across the space; or in-the-round, with the stage surrounded on all sides by the seating.
The Circle and Gallery levels are on three sides of the room, looking down on the Pit and stage. These are fixed and are reminiscent of the inn-yards that were used as performance areas before Shakespeare’s era.
