Three operas. Three worlds. One aria about a cat. What more could you ask for in an evening?
Oh, there is also the aria that Mr Bean lip-synced on holiday too.
Puccini's triple-threat trilogy returns.
Il Trittico has everything, with the tragedy of jealousy in Il tabarro, the agonising shame of Suor Angelica and the hilarious antics of Gianni Schicchi.
This masterpiece of melodrama, despair, and comedy will take you on a journey from darkness to light.
Il tabarro
Giorgetta, the wife of Michele, a Parisian barge owner, has fallen in love with Luigi, one of her husband’s workers in the dockyard – though Michele is growing increasingly suspicious. Michele forces Luigi to admit his relationship with Giorgetta and then strangles him. He covers the body with the cloak he used to wrap Giorgetta and their child, who died in infancy. Giorgetta, repentant, approaches – and Michele reveals her lover’s corpse.
Suor Angelica
Sister Angelica has been forced to enter a convent by her family, following a scandal. Her aunt, the Princess pays her first visit since Angelica entered the convent years ago, asking Angelica to sign over her inheritance to her younger sister. But the Princess comes with devastating news of Angelica’s illegitimate son, whom she has thought of every day since she entered the convent. Two years ago, at the age of five, the boy died. Overwhelmed with despair, Suor Angelica takes poison. Realising that suicide is a mortal sin, she prays to the Virgin Mary for forgiveness.
Gianni Schicchi
When Buoso Donati dies, his family are horrified to learn that he has left all his money to a monastery. They turn to the cunning Gianni Schicchi to help them change his will. But the plan backfires! Gianni Schicchi, impersonating Donati, makes a will leaving the best of the inheritance to himself – while cheerfully reminding the outraged family of the gruesome punishment they face if their plot is revealed.
A lay-by allows vehicles to pull off Bow Street immediately outside the Paul Hamlyn Hall to drop off disabled passengers. The disabled parking bays on the opposite side of Bow Street and in Floral Street cater for the whole Covent Garden area, not just the Royal Opera House.
The Box Office, Royal Opera House Shop, Information Desk and Cloakroom are situated at the entrance level below the Paul Hamlyn Hall. Counter heights at the Box Office, in the bars and at some public telephone points are designed to be accessible for wheelchair users. One Box Office sales position, the Information Desk and bars have induction loops to assist customers with impaired hearing. Menus are available in large print. The Bow Street/Piazza Link Coffee Shop is also accessible to wheelchair users.
Guide dogs are welcome in the auditoria or can be looked after at the foyer cloakroom by front-of-house staff.